Have a question you don't see answered below? Let us know.
- How can I send you my files? Which online service should I use?
- How can I make my uploads faster?
- Can I use your photo uploader with my ______ browser?
- How do I know if my image will crop?
- How do I avoid cropping?
- What resolution should my file be?
- What file types do you accept?
- Do you make corrections to images when printing?
- What if I want to do my own corrections?
- What color mode should I use?
- Should my files be 8 bit or 16 bit?
- What ICC profile should I use?
- How should I calibrate my monitor?
- What if I need some Photoshop work done?
- How are your prints better than my at home printer or local one hour lab?
- What type of paper do you print on?
- What's the best way to get black and white prints from my color photos?
- What are the border options for prints?
- How can I estimate file sizes?
- What does Giclée/Giclee mean?
- What is Gallery wrap/Canvas stretching?
- You can upload them to Photoworkssf.com and pick them up in the store or have them mailed to you.
- Print from your Instagram account. This works great as you do not have to wait as long for photos to upload.
- We recommend using WeTransfer to send us files. If you already have an account with Dropbox or YouSendIt, that's fine too. Please send to firstname.lastname@example.org.
- Feel free to bring a CD, DVD, USB Drive, or any or any other storage device down to our retail store and Photoworks will help you with your printing needs.
If you are not sending JPGs you should be. These load the quickest because they are compressed. We convert to JPGs anyway when we print. Just make sure they are set to minimum compression. Also, do not send us files that are excessive in size. We will have to compress them and quality could be lost. It is best not to exceed 400 dpi at the size you will print. You can also transfer images from your Instagram account. Your photos are already uploaded so the wait time is minimal.
Cropping occurs when the aspect ratio (or shape) of your file does not match up with the print size you requested. For example, if your image is from an SLR digital camera then the image is a 1:1.5 ratio which is a rectangular shape. If you want to print an 8x10 from this file an 8x10 is more square shape so your file would have to be cropped to print a borderless 8x10. Now if you print an 8x12 then your image would not be cropped because an 8x12 is also a 1:1.5 ratio. You can check your file size in Photoshop by going to Image and then to Image size. You can key in the print size that you want and see it the size of your file matches up. You can also see what the resolution of your image at that size is while you're at it. A point and shoot digital camera generates an image that can be printed at 4x5, 8x10 borderless with minimal cropping. An SLR digital camera creates an image that is the same ratio as 35mm film, 2:3, and can be printed at 4x6, 8x12 and 12x18 without cropping.
If you do not want a crop:
- Match your image shape to the corresponding paper shape to avoid cropping.
- If the paper and image size do not match up you can print your images "full file." This will most likely result in a border that is thicker on two sides and thinner on the other two.
- You can also resize or crop your digital files ahead of time in Photoshop to match your paper size.
- - OR - Request borderless or an even border all the way around even though you know the aspect ratios do not match up and expect and accept any cropping that will occur.
Our color machines print up to 400 dpi. When preparing your files, 300-400 dpi is the optimal resolution your files can be at the size printed. Our state of the art equipment can interpolate or "up-res" your files so we can generally make quality prints from files as low as 150 dpi. More resolution is not necessarily better. If your image resolution is higher than the res that we print at then your file will be compressed when printing. Files for Giclée printing should be at 300 dpi for optimal results although 240 dpi, 150dpi and anything within this range is also acceptable.
We accept: JPG, TIFF, PSD, PNG, PDF. We can also accept Raw files but there will be a charge to convert them. When using any of our online ordering systems we recommend converting your images to JPGs for speedier upload. When submitting PSDs or PDFs please flatten them first especially when submitting images with text layers. Photoworks may not have the same fonts and the software will automatically find a substitute font to use in the unflattened image.
Yes, we have a lab technician who looks at each image and makes color, density and contrast corrections.
If you want to make your own corrections use our color profile and specify "no color corrections" when placing your order. The color profile we use for digital prints is sRGB IEC61966-2.1. It is a common profile that can be selected in most versions of Photoshop or download it here. For all other prints use the AdobeRGB 1998 color profile. This way you will be viewing the images in the same color space we are using (keeping in mind that computer screens are calibrated di erently). When you place your order let us know that you do not want any corrections made to your images.
You should use RGB, see What if I want to do my own corrections for more information.
You can download our ICC profile to use in Photoshop or in most cases you can simply choose if from a list of available profiles in Photoshop as it is a common color profile. The profile that we use is sRGB IEC61966-2. For Giclée prints use the AdobeRGB 98 color profile.
We could do a long winded section here, but honestly your best bet is to do some research on your own. There are some tools for purchase such as Pantone hueyPro, Datcolor Spyder3 Elite, and Xrite ColorMunki. The most basic calibration tool, other than ignoring calibration altogether, is Adobe Gamma. This is certainly better than nothing, but leaves much to be desired. The sole advantage is that it is free (once you purchase Photoshop). The primary problem is that your basic eyeball calibration is highly influenced by ambient lighting, how much sleep you've had, and how much coffee is coursing through your veins. Obtaining a consistent viewing environment is difficult under these conditions. When it's all said and done we suggest running a test print with us, asking for "no corrections." Then go back and adjust your monitor to match our print.
They should be 8 bit.
If you need some Photoshop work done please bring your files into the store or send them to us online and we will contact you with an estimate. Visit our Custom Scanning & Retouching page for more information.
Our prints are printed on actual silver based RC photo paper using actual photo chemistry. They are not ink on paper. The resolution is better and you have a trained professional correcting your image to get the best print possible.
We print our color film, black and white film, slides, and our digital images (12x18 or smaller) on Fuji Crystal Archive paper unless you request otherwise. Fuji Crystal Archive paper prints are Digital C-Prints. Anything printed on paper larger than 12x18 is Inkjet printed; you can select the standard digital Lustre or Glossy paper with the same surface type and tonal range as the Fuji Crystal Archive paper or select from any one of our Fine Art Paper (link) options.
If you are new to black and white digital you can leave your images in color and simply request "black and white" from the drop down menu when ordering. Our techs grey scale your images in Photoshop. If you have created B&W in camera that's fine, though it is better to start in RAW and then convert in Photoshop. A simple method is to change your color files to Grayscale in Photoshop (Image > Mode > Grayscale). A better method in Photoshop is to convert the color image to Lab Color mode (Image > Mode > Lab Color) then discard all but the lightness channel by highlighting that channel in the channels palette, then change the mode to Grayscale (Image > Mode > Grayscale). When you get the window asking to discard color, click OK. Our archival paper allows for maximum tonal range.
We offer several types of border styles for your prints. Click over to our Digital Prints to see them.
Multiply Height x Width x Resolution then Divide by 1200 = megabytes (For example 11 x 14 x 300 dpi divided by 1200 = 38.5 megs)
|Print Size||File Size (estimated, uncompressed)|
|4 x 6||6 mb||4 mb|
|5 x 7||8.75 mb||5.83 mb|
|8 x 10||20 mb||13 mb|
|9 x 12||27 mb||18 mb|
|11 x 14||38.5 mb||26 mb|
|16 x 20||80 mb||53 mb|
|20 x 24||120 mb||80 mb|
|20 x 30||150 mb||100 mb|
|20 x 40||300 mb||200 mb|
|40 x 60||600 mb||400 mb|
|Common Image Sizes at 300dpi|
|Image Size||Megapixels||"Natural" Print Size||File Size (uncompressed Tiffs)|
|4064 x 2704||11.1||13.5 x 9||31 mb|
|3088 x 2056||6.3||10.25 x 6.8||18 mb|
|3008 x 1960||5.3||10 x 6.5||17 mb|
|2048 x 1536||3.0||6.8 x 5.1||9 mb|
|1600 x 1200||2.0||5.3 x 4||5.5 mb|
|1280 x 960||1.2||4.25 x 3.2||3.5 mb|
|640 x 480||.3||2.1 x 1.6||1 mb|
Please Note: we have state of the art digital printers which can interpolate (or "res up") an image. We can make great prints at 150 DPI. Also note that compressed and/or manipulated JPEG files may be large enough to print but can result in poor prints because of compression.
Giclée is French for "fine spray" and refers to our prints done on fine art papers with or without texture, and canvas. We use Epson Ultrachrome Inks, and our prints are archival to 90 years.
A completed canvas print should be "stretched" on wood bars. The standard depth is one inch. We also have 1/2" and 1 1/2" sizes as well. This creates the museum e ect seen in galleries. You may choose to have your image visible (wrapped) on the sides or to have a white, black, or color border on the sides. If you have a family portrait that goes to the edge, you probably do not want to wrap the image. You can also have the sides be a mirror of your image edge if you do not want to lose part of the image to the sides but like the wrapped effect. We would be happy to examine your file, and make a suggestion.